Exhibition Opportunities
Studio art students have opportunities to exhibit their work in the Ramp Gallery, which serves as a multi-functional space for critiques, group exhibitions and studio art major/minor reviews.
In addition, the Fenwick Hall and Hogan Center galleries provide public venues for showcasing student work. Exhibitions in these spaces are curated by visual arts faculty and members of the Student Art Society.
Senior studio art majors exhibit their final portfolio in the College’s Cantor Art Gallery. Art history majors have the opportunity to curate professional exhibitions as part of a team in curatorial seminars.
Visiting Artists and Excursions
The department sponsors many arts enrichment programs. There are frequent visiting artists and lecturers on historical and contemporary art and architecture.
The resources of the Worcester Art Museum are integral to most courses in the department.
There are regular field trips to museums and galleries in Boston, New York City, New Haven, and Hartford.
Community Engagement
Students engage the campus and surrounding community by presenting personal and collaborative art exhibits, and by giving tours of local museums and special historical exhibitions. Students are encouraged to pursue internships in local museums, galleries, preservation agencies and architects’ studios. Selected classes offer community-based learning experiences, engaging with the history and people of Worcester in a meaningful way.
Examples of Recent Work
Student Art Society
The student-run organization strives to increase access to and enjoyment of student art on the Holy Cross campus through fundraising events, monthly exhibitions of student artwork and weekly meetings that foster new relationships.
Internships
The rich resources of the surrounding area, especially the museums and architecture of Worcester and Boston, provide students with opportunities for internships in these cities.
Recent internships include:
- Martina Umunna ’18, special events intern for Smithsonian Associates, Smithsonian Institution, through the Washington Semester Program.
- Xherd Aliko ’20, photography and marketing intern, NYSportsScienceLab, through the New York Semester Program.
- Michela Caffrey ‘19, studio art intern, Advanced Studies Program, St. Paul’s School.
Study Abroad
Students majoring and minoring in visual arts have several opportunities for study abroad programs, including:
Research
Summer research opportunities are available for interested students in both art history and studio art. Students can also work with faculty on research projects under the rubric of the J.D. Power Center for Liberal Arts in the World.
Examples
Tess Starshak ’17 worked with professors Amanda Luyster and Neel Smith in classics to write a computer program to reassemble lost medieval Latin texts. Her program is now publicly available on GitHub.
Martina Umunna ‘18 also worked with Amanda Luyster to edit hundreds of photographs of a fragmented tile mosaic. Both students’ work contributes to a full digital reconstruction of the medieval tile mosaic, including images and lost texts.
Joseph Metrano ‘18, Architectural Studies and studio art major, researched sustainable housing, the Living Building Challenge and green design initiatives at New England colleges. In order to raise awareness of the prevalence of sustainable building in academia, while also suggesting a possible plan of action for Holy Cross to implement net zero energy and water usage, he designed a suite of sustainable student housing modules.
Aiden Duffy ’17 created and designed a visual novel video game based on Norse mythology. This project involved writing a full script, designing the characters and environments and programming the entire game.
Bryan Gallagher '18 collaborated with Sarah Valente '16 on a website that features public art in the Worcester area.
Learn more about Summer Research in the Humanities, Social Sciences, and Fine Arts.
John Paul Reardon Award
The John Paul Reardon Medal and Award was established in 1985 by John Paul Reardon, a former faculty member, in memory of the late Rev. J. Gerard Mears, S.J. The medal and award are given annually to a graduating student for excellence in studio art.
2019 Reardon Award
The 2019 Reardon Award recipient is Katherine Badenhausen. The juror was Candice Smith Corby, the gallery director and assistant professor at Stonehill College in the Visual and Performing Arts Department. She was the 2018-2019 visiting artist at Fruitlands Museum. Her work has been shown in numerous exhibitions nationally and she was a Mass Cultural Council fellowship winner in 2008. The juror said this about Katherine’s work:
"This student’s work deserves recognition due to its high level of craftsmanship, cohesiveness, and awareness of image and content. The color palette is all related which speaks to a collective interest in light and quiet moments. The specific observations of unique perception is well considered. The complexity of construction is commendable as well as the attention to detail. The material choices are respective to their innate qualities. The artist is very aware of how to handle each one to their fullest potential. The artist statement is very self-aware and it is clear they are invested in working through various attempts to find a successful and desired resolution. Excellent work!"
2018 Reardon Award
The 2018 Reardon Award recipient is Joe Metrano. This year's juror is professor and artist Jonathan Gitelson. Gitelson is an associate professor of art at Keene State College in New Hampshire and works in a variety of mediums that include photography, artist books and public art. The juror said this about Joe’s work:
"I selected the work of Joe Metrano for the Reardon Award based on the cohesiveness and quality (both conceptual and aesthetic) of his installation. I appreciated that although each piece seems to belong to a singular project, the methods and strategies employed vary greatly. The pseudo-scientific nature of these diagrams as well as the various sculptural elements (a light bulb with flowers, glass containers, and strange terrariums) reinforces the idea that this fictitious character is sincere, serious, and at the same time, absurd. Is he crazy? Is his paranoia founded? Who is this "Man"? These are some of the questions that left me exploring the piece for an extended period and are the foundation of why this piece is successful."